Read more: Samyang AF 135mm F1.8 FE full reviewĪt its minimum focus distance of 0.28 metres, the Sony FE 90mm f/2.8 Macro G OSS lens delivers full 1.0x or 1:1 magnification. The 11-blade aperture diaphragm ensures that bokeh disks, formed by defocused bright spots, remain very well rounded. It’s beautifully smooth when shooting wide-open at f/1.8 and remains excellent when stopping down a little. The lens also features Samyang’s Astro-Focus Mode complete with LED Index for accurate infinity focusing at night.Īlthough sharpness is very impressive, the quality of bokeh is arguably a bigger plus point in terms of image quality. It’s ideal for tight head shots in portraiture, as well as for sports and wildlife photography, and any time you want medium telephoto reach with a fast aperture for isolating the main subject with a tight depth of field, or for freezing motion under low lighting conditions.Īutofocus is both fast and virtually silent, and it works particularly well with Sony’s eye-tracking AF mode in portraiture. It boasts many of the same high-end features and handling exotica, as well as a tough, weather-sealed construction, but costs less than half the price to buy. The Samyang AF 135mm F1.8 FE goes head to head with Sony’s own-brand Sony FE 135mm f/1.8 G Master lens. Read more: Sony FE 135mm f1.8 GM full review The only slight niggle is that defocused lights near the edges and corners of the frame can take on a very elliptical appearance. The high-grade optical path includes XA (eXtreme Aspherical), Super ED and regular ED elements, along with an 11-blade diaphragm that maintains a particularly well-rounded aperture when stopping down a bit.įor hands-on aperture control, there’s a physical aperture control ring with one-third f/stop click steps and a straightforward de-click switch to enable smooth transitions during movie capture.Īlong with impressive sharpness and contrast, the lens delivers sumptuously smooth bokeh, helped not only by the long focal length but also by the sheer optical quality. While the FE 85mm f/1.4 G Master will be seen as the most ideal portrait lens by many, this 135mm version gets you closer to you sitter while maintaining a natural shooting distance, thus working really well for close-up portraits, and any other shooting scenario that calls for impeccable image quality at this focal length. Read more: Sony FE 70-200mm f/2.8 GM OSS full review The 2-stop optical stabilizer is less effective than in most similar lenses, but its performance is boosted in later Sony cameras that add in-body stabilization into the equation. In our tests, autofocus speed proved slightly underwhelming compared with competing lenses in its class. Color fringing is minimal but distortion is a little worse than average for this type of lens. Image sharpness is very good indeed wide-open at f/2.8, throughout the entire zoom range, becoming excellent at f/4. Handling is particularly refined, with an autofocus range limiter, customisable focus hold buttons, and dual-mode stabilization for static and panning shots.Īll this translates into decent performance. There’s not one but two autofocus systems, incorporating a double linear motor plus an RDSSM (Ring Drive Super Sonic wave Motor), the latter being used for the heavier forward focus groups. The construction is fully weather-sealed and includes a fluorine coating on the front element. A feast of glass includes one double-sided XA (Extreme Aspherical) element, two other aspherical elements, four ED (Extra-low Dispersion) elements and two Super ED elements. The Sony FE 70-200mm f/2.8 G Master OSS is one seriously well-specced optic. Read our full Sony FE 50mm f/1.4 GM review. However, few which share quite the same size and weight, lightning-fast autofocus, and solid moisture-resistant construction that this lens offers. Unfortunately, the downside is the lens is expensive when compared to similar rivals, with much cheaper third-party glass out there that will achieve similar visual results. If you don't need the extra aperture stop, or the added size, weight, or considerable cost of the FE 50mm f/1.2 GM, then the Sony FE 50mm f/1.4 will serve you perfectly. With only a small falloff towards the edges of the frame and some vignetting wide open, this lens gets almost full marks. Impressively light and compact, but not compromising one bit on optical quality, this lens is almost perfect when it comes to sharpness in the center. The Sony FE 50mm f/1.4 is the lens that is most suited to most Sony shooters who love the versatility of the 50mm perspective, and this is definitely a lens that can be left on your camera almost all the time.
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